East Coast Night with FRAID KNOT FRI•APR•24•8PM•NO COVER Regal Beagle Macleod (180,94 Ave.SE). Head on over for an eve you won't soon forget featuring crowd favourite Fraid Knot! Reservations can be made at regalbeagle.scvr.co HIGHTLIGHTS ◇ Fraid Knot taking the stage at 8PM ◇ Get Screeched In and Kiss the Cod!!! ◇ East Coast treats coming out fresh from the kitchen starting at 5PM while quantities last including Mussels & Garlic Fingers. ◇ $8 Snow Crab Clusters served with Mini Corn on the Cob ◇ Dark&Stormy Mules, Moosehead Beer & Attaboy Shots on sale nice and cool from the bar starting at $5 ◇ $10 Double Well Highballs & $6 Fireball ◇ Eve finishes with mob rules Karaoke & DJ with host Travis ***We are filling up fast, get your spot before we fill up! BAND BIO Meet Fraid Knot – a band once dubbed by a local journalist, “western Canada’s hardest working ambassadors of contemporary Celtic music.” Influenced by the sounds of the musical pioneers who’ve journeyed down this path before, the band’s distinctive “Celt” sound is defined by the eclectic mix of musical personalities that have come together to create what we know today as Fraid Knot. Calmer than the Drop Kick Murphy’s, edgier than Great Big Sea, happier than the Pogues and still traditional enough to please the ear of many a purist, Fraid Knot truly bridges the gap between Celtic and Rock. The band is a technical, high energy group of musicians who embrace elements from Scottish, Irish and of course Canadian music to serve up their own unique “knotified” sound that is present in both original music as well as their interpretation of Celtic classics. Always a fan favorite in the Canadian west, the release of the band’s debut album “Hoist the Sails” placed Fraid Knot firmly on the international stage with media coverage, radio play and album sales extending throughout North America, Europe, Australia and Asia. 2011’s follow up recording entitled “A Pint of Trad” was a nod to the band’s roots and their mutual love of traditional Celtic music.  Originally intended to be solely “cover” songs, one original, (the gentle lament, “Meet Me Tonight”) snuck on to the disc as it fit stylistically.  In a testament to